1932-2017

About image
Mari Marks Fleming was a Berkeley, California-based encaustic artist who exhibited nationally and internationally. She enjoyed the malleable, transparent qualities of beeswax and pigments in her artwork for three decades until her untimely death from cancer in 2017.

Her nature-inspired paintings are included in public, corporate, and private collections, among them the Richmond Memorial Civic Center; the CA State Public Health Building; the Encaustic Art Institute, Alza Corporation, Hewlett-Packard Corporation, the Cerulean Tower Tokyo Hotel, and the Hilton Hotel in Sapporo, Japan. Marks has exhibited widely throughout the United States. Her recent solo exhibitions include I space in Chicago, and in the Bay Area, Robert Allen Fine Art, the Graduate Theological Union, Dolby Chadwick Gallery, and the Vessel Gallery in Oakland.

The primary recent texts of Encaustic art have all included her work: Encaustic Painting: Contemporary Expression in the Ancient Medium of Pigmented Wax, (Mattera, 2001); Encaustic with a Textile Sensibility, (Woolf, 2010),  Encaustic Art, The Complete Guide to Creating Fine Art with Wax (Rankin, 2010), and Encaustic Art in the Twenty-First Century (Rooney and Lee, 2016). More work can be found at http://bawalp.org/mari-marks, the Bay Area Women Artists Legacy Project.
Artist Statements image
"I create my encaustic paintings using a slow, labor intensive layering of beeswax and pigments, with graphite and organic materials from the earth itself. I then engrave a pattern moving over the surface, repeating a rhythm found in nature. Graphite and other sediments fill the engraving, are wiped off and then fused into the melting surface as I slowly move a heated lamp over the surface. The interaction of light and heat, sediment and surface, recreates processes seen in nature, the fractal formation. The form disintegrates, changes and forms again. This implies a reordering of experience, a a span of time and ultimate change."

"My encaustic paintings are created out of a deep sense of the oneness of humankind and nature. Nature is my most intimate contact, my reassurance of ongoing life. Through my paintings I seek to bring experiences of beauty, peace, and healing to a fractured world."


Biography

Biography

Born in 1932 in Minneapolis, Minnesota, Mari Marks (born Marilyn Danna Marks) was the oldest of three children. Her father died in a fire when she was six, and her grief-stricken mother soon relocated them to Princeton, Illinois. Her mother agreed to marry a solicitous cousin to help make ends meet, but it was not a happy marriage. Marks spent her childhood helping to care for her younger brother and sister, striving to meet her mother’s high standards of behavior and academics. She remembers in a memoir that she was a sad and lonely child who found solace and soothing in the wild spaces surrounding her country home. She states:

Learn More
2008Robert Allen Fine Art, Dialogues in Light, a Collaboration, Sausalito, CA
Graduate Theological Union, Mari Marks, Variations: Marks in Time, Berkeley, California
2007Ispace, University of Illinois Art Gallery: Marks, Notes on a Season, Chicago, Illinois
Art-Scape Gallery & Sculpture Garden, Mari Marks, Terra Series, Walnut Creek, CA



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2008
Conrad Wilde Gallery, Two of a Kind: the Diptych Project, Tucson, Arizona            
Wenniger Gallery, Waxing Well: Encaustic Painting, The Art of Mari Marks Fleming,Chris McCauley, and Lynda Cole, Rockport, Massachusetts
Brian Marki Fine Art, The Diptych Project: A Collaboration in Wax, Portland, Oregon
2007
Montserrat College of Art, First Encaustic Conference, Hot Stuff, Beverly, Massachusetts
Lauren Taylor Fine Art, Off the Grid, New Directions in Wax, Carmel, California
2006Portland Art Center, Impulse, National Encaustic Show, Sparkplug Art, Portland, Oregon
ProArts, New Visions, Oakland, California



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